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                  <text>As the pandemic continued month after month and the isolation became unbearable but still necessary, I found that I no longer gained enough intellectual satisfaction from creating classical music compositions (my forte), especially since my newest works probably would not be performed until Covid-19 was conquered. So instead I wrote and gathered together diary-like essays, literary critiques, philosophical musings, poetry, short stories, and narratives from contemporary experience as well as from deep in memory. I had written them each month to send to friends, with no thought of continuity—they would range where ever my mind and imagination wanted to go. I preferred to stay away from discussions about the coronavirus of which I knew little, the care givers who appeared to be so heroic, or the victims of the disease who were even more confined than I was and whose desperate circumstances were so frightening. Nor was I thinking of it as being a diary—my hermetic life was not interesting enough for that type of documentation. No, my writings were meant to be a diversion, to take one away from the horrific plague that in 2020-22 ingulfed us. I must confess that I have made no attempt to stick with subjects that I think would interest a general public. I am not even sure I would know what these would be. So, my suggestion is to only read those entries which excite your own imagination or generate some curiosity.&#13;
&#13;
About the Author&#13;
Geoffrey D. Gibbs, Professor Emeritus of Music Composition at the University of Rhode Island, received a DMA degree in composition and voice from the Eastman School of Music (University of Rochester, NY) in 1974. Born in 1940, Dr. Gibbs began his music training at age seven and was soon composing his own pieces. In high school he studied composition privately with Elie Siegmeister noted for championing American folk music. At Eastman he studied composition with Howard Hanson and Bernard Rogers. He began teaching composition and related subjects at URI in 1965 and has remained in Rhode Island since that time.&#13;
He retired from URI in 2001 to devote all of his energies to creative projects. His interest in literature blossomed when he typed, edited, and annotated a thousand of his father’s poems and many essays. During his years of retirement three operas of his were premiered. His works were performed in Boston, Providence, Dartmouth College, the University of Rhode Island, Vibe of the Venue, Aurea Ensemble, Verdant Vibes Ensemble and the Fall River Symphony. As well he has had works performed at the Kennedy Center (Washington, DC) and as far away as Russia and South America. As mentioned above, it was during the last two years when it was difficult to present concerts, that Geoffrey Gibbs devoted much of his time to creating his pandemic journal.</text>
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                <text>"Gilded Imagination" is about one of my favorite architects, Stanford White (a terribly flawed human being but a genius nevertheless). Few artists have had as great an impact on RI as White who designed countless gorgeous buildings throughout the state during the golden age (the turn of the 20th century). My house painter grandfather may have known Stanford White when he was working on some of the great mansions of the period. By today's standards the color schemes and decoration of that time would seem rather gloomy (muted and dark—perfect as a background for all the gold, silver, and silk on display). Each of my issues deals with some aesthetic that interests me and Rhode Island is a perfect place for artistic exploration.</text>
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                <text>Inspired by Lynda Barry’s COVID diary, which appeared in the New York Times on May 8th 2020, I decided to keep my own collage diary. I began with the simple prompt, “When did this become real for you?” Some chaotic impressions tumble out on that first page as I recount my memories of an oddly timed trip to New York City just prior to the lockdown. I took on the diary project thinking it would give me something constructive to do other than just feeling immobilized, but I never could have imagined all of the unlikely and devastating events that were to unfold in the coming months. So many deaths: George Floyd, Brianna Taylor, Ruth Bader Ginsberg, John Lewis. So many unbelievable and terrifying things were happening—fires in California, a mass death of pilot whales, violence against protestors, political strife, and always the numbers of COVID dead kept mounting. In these pages, I track large events and small ones, reflections and encounters, from March 16 through Sept 2020 while living here in Providence Rhode Island. Ordinary life in this strange new world of COVID shelter-in-place is juxtaposed with grim statistics from the daily headlines. This pandemic has touched so many that no one can remain unaffected. The “old” normal was never really fair. One hopes that the “new” normal, whatever form that might take, will be more just, but there is never any guarantee unless we fight for it.&#13;
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&#13;
About the Author&#13;
Geoffrey D. Gibbs, Professor Emeritus of Music Composition at the University of Rhode Island, received a DMA degree in composition and voice from the Eastman School of Music (University of Rochester, NY) in 1974. Born in 1940, Dr. Gibbs began his music training at age seven and was soon composing his own pieces. In high school he studied composition privately with Elie Siegmeister noted for championing American folk music. At Eastman he studied composition with Howard Hanson and Bernard Rogers. He began teaching composition and related subjects at URI in 1965 and has remained in Rhode Island since that time.&#13;
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                <text>I tried to make the June issue, one that summed up my four-years of confrontation with difficult times for humanity—still proceeding with the Ukraine war which I explore in a one-act play. </text>
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                  <text>As the pandemic continued month after month and the isolation became unbearable but still necessary, I found that I no longer gained enough intellectual satisfaction from creating classical music compositions (my forte), especially since my newest works probably would not be performed until Covid-19 was conquered. So instead I wrote and gathered together diary-like essays, literary critiques, philosophical musings, poetry, short stories, and narratives from contemporary experience as well as from deep in memory. I had written them each month to send to friends, with no thought of continuity—they would range where ever my mind and imagination wanted to go. I preferred to stay away from discussions about the coronavirus of which I knew little, the care givers who appeared to be so heroic, or the victims of the disease who were even more confined than I was and whose desperate circumstances were so frightening. Nor was I thinking of it as being a diary—my hermetic life was not interesting enough for that type of documentation. No, my writings were meant to be a diversion, to take one away from the horrific plague that in 2020-22 ingulfed us. I must confess that I have made no attempt to stick with subjects that I think would interest a general public. I am not even sure I would know what these would be. So, my suggestion is to only read those entries which excite your own imagination or generate some curiosity.&#13;
&#13;
About the Author&#13;
Geoffrey D. Gibbs, Professor Emeritus of Music Composition at the University of Rhode Island, received a DMA degree in composition and voice from the Eastman School of Music (University of Rochester, NY) in 1974. Born in 1940, Dr. Gibbs began his music training at age seven and was soon composing his own pieces. In high school he studied composition privately with Elie Siegmeister noted for championing American folk music. At Eastman he studied composition with Howard Hanson and Bernard Rogers. He began teaching composition and related subjects at URI in 1965 and has remained in Rhode Island since that time.&#13;
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                <text>A creative writing and journal project. Although my tales are rather fanciful, I have still tried to express what my mind has gone through during the years of Covid-19. I was particularly interested in what estrangement does to us—and in particular to me. As a legally blind individual I have always felt a bit isolated in that I have never been able to drive. And yet I know that now 83, I have had a wonderful life—the experience that art can give us where we explore the interior of existence. I think I have mentioned to you that as a child that my parents read to me the great works of  literature  for an hour every night. And this continued into adulthood.  As to my journal, I have already written much of the next two issues which I will call now a "Post-pandemic Journal" and focus on how life has changed with the epidemic behind us.</text>
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&#13;
About the Author&#13;
Geoffrey D. Gibbs, Professor Emeritus of Music Composition at the University of Rhode Island, received a DMA degree in composition and voice from the Eastman School of Music (University of Rochester, NY) in 1974. Born in 1940, Dr. Gibbs began his music training at age seven and was soon composing his own pieces. In high school he studied composition privately with Elie Siegmeister noted for championing American folk music. At Eastman he studied composition with Howard Hanson and Bernard Rogers. He began teaching composition and related subjects at URI in 1965 and has remained in Rhode Island since that time.&#13;
He retired from URI in 2001 to devote all of his energies to creative projects. His interest in literature blossomed when he typed, edited, and annotated a thousand of his father’s poems and many essays. During his years of retirement three operas of his were premiered. His works were performed in Boston, Providence, Dartmouth College, the University of Rhode Island, Vibe of the Venue, Aurea Ensemble, Verdant Vibes Ensemble and the Fall River Symphony. As well he has had works performed at the Kennedy Center (Washington, DC) and as far away as Russia and South America. As mentioned above, it was during the last two years when it was difficult to present concerts, that Geoffrey Gibbs devoted much of his time to creating his pandemic journal.</text>
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