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                  <text>Notable Works Publication and Distribution Co., Inc.</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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          <description>Write a memory, journal entry, essay, list, poem, or story below. You can attach a file below if you'd prefer.</description>
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              <text>How swiftly things can change&#13;
By Noreen Inglesi&#13;
&#13;
How swiftly things can change&#13;
Like a rippling stream&#13;
Silenced by the first chill of winter&#13;
Easy to take for granted&#13;
Summer’s fervent warmth&#13;
Lost in the rapture &#13;
of children’s gleeful laughter&#13;
Mornings of waking up to &#13;
Bird’s chirping in trees &#13;
Rich with honeysuckle and emerald leaves&#13;
Evenings illuminated by full and crescent moons&#13;
Painted against a backdrop of a dusky sky&#13;
How we long for endless summers&#13;
Hoping for a lifetime of gently flowing streams&#13;
Aching to never loose the ones dearest to our hearts&#13;
But things do change&#13;
Streams do stop abruptly&#13;
When seemingly in full stride&#13;
It’s accepting this&#13;
And going on&#13;
That is one of life’s toughest tasks.&#13;
&#13;
&#13;
&#13;
</text>
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          <name>Date</name>
          <description>When was this created?</description>
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              <text>2020</text>
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          <name>Location</name>
          <description>Where was this item created?</description>
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              <text>Cranston</text>
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            <name>Title</name>
            <description>What would you title this item?</description>
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                <text>Poem: "How Swiftly Things Can Change"</text>
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            <name>Creator</name>
            <description>Who created this item?</description>
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                <text>Noreen Inglesi</text>
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                <text>English</text>
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          <element elementId="41">
            <name>Description</name>
            <description>What is it all about?</description>
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                <text>This poem is about experiencing unexpected tragedy and  loss and was published by Notable Works (www.notableworks.org) in 2020 in "Love Warms the Homeless Heart II."</text>
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              <description>What is it all about?</description>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>The Homeless Heart by Noreen Inglesi&#13;
Here I'll rest shackled in a shapeless night Dazed and cold&#13;
So alone&#13;
Can a warm old man find a fireside?&#13;
In my dreams I'm safe and warm You by my side.&#13;
You, always so kind&#13;
Why do you hide?&#13;
Don't you know that love saves the homeless Heart?&#13;
Silence falls just like time in sands Shadows dance in the wind. Spirits call me to distant lands Just lead me home&#13;
I'll follow.&#13;
There was a time not so long ago&#13;
I worked the line then went home. Becky's glance kept me warm at night. But I blinked and she was gone.&#13;
My cool tears never even touch the ground No one's there&#13;
Not a sound.&#13;
Will anyone care when I'm not around?&#13;
Love's waning starlight mourns minds in darkness. You, in your darkness.&#13;
You, why do you hide?&#13;
Don't you know that Death stalks the homeless heart?&#13;
Silence falls just like time in sands. Shadows dance in the wind. Spirits call me to distant lands Just lead me home.&#13;
I'll follow.</text>
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          <name>Date</name>
          <description>When was this created?</description>
          <elementTextContainer>
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              <text>2008</text>
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            <description>What would you title this item?</description>
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                <text>Poem: "The Homeless Heart"</text>
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                <text>Noreen Inglesi</text>
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                <text>English</text>
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          <element elementId="41">
            <name>Description</name>
            <description>What is it all about?</description>
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              <elementText elementTextId="20939">
                <text>This poem addresses the issue of homelessness and was published in 2021 Notable Works in "Love Warms the Homeless Heart II."</text>
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                  <text>Notable Works Publication and Distribution Co., Inc.</text>
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              <name>Description</name>
              <description>What is it all about?</description>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>Diptych&#13;
I. Landscape of consumption&#13;
&#13;
I’m so tired of the faux facades&#13;
of the “landscapes of consumption,”&#13;
like this mall built to look like &#13;
the village it supplanted&#13;
(lights in second story windows &#13;
with no rooms behind them&#13;
illuminate only drapery and the parking lot);&#13;
&#13;
I’m so tired of being American,&#13;
of this ‘we’ that keeps implicating me&#13;
in all kinds of atrocities,&#13;
in my insufficient resistance,&#13;
in the insignificance of my concern;&#13;
&#13;
so tired of the facades splayed &#13;
with brand names in elegant fonts&#13;
of automated recognizance, &#13;
of the logos and logoi and designs and reasons of consumption,&#13;
the artistry of my people spent&#13;
on storefronts and billboards, ads&#13;
and special effects.   I   want   to be   unaffected:&#13;
&#13;
to resist, resist, resist the purchase.&#13;
&#13;
But the best of my people’s psychology, too,&#13;
is employed to transgress my resistance,&#13;
to subvert our sufficiency.&#13;
 &#13;
We  have  had  enough.&#13;
&#13;
&#13;
II. Landscape of production&#13;
&#13;
As antidote to the trip to the mall&#13;
to watch the movie to know what &#13;
we have done with our history this time,&#13;
I bike the landscape of production, &#13;
weave the potholes of the parts of town&#13;
no one goes to except to work, if necessary,&#13;
and it’s always necessary &#13;
for some.&#13;
&#13;
Then, as antidote to the engineered and treeless&#13;
‘neighborhoods’ (you might call them&#13;
if the homes were close enough to see&#13;
each other around the sewer treatment plant&#13;
and oil tanks and adult establishments.&#13;
Sure, I am adult too, and that is one of the few spaces&#13;
off this street I am free to enter,&#13;
but I can only imagine &#13;
the discomfort of being ogled with questions&#13;
by those poor shame-debilitated men &#13;
having so much trouble getting to maturity),&#13;
	   I leave my bike at the bridge,&#13;
and walk upstream past the old mill to the unfilled&#13;
wetlands, still unbuildable, so far.&#13;
&#13;
I find trees and breezes and the small wildlife &#13;
we once took for granted, I think, though I don’t know&#13;
who ‘we’ is here, either, certainly not us-as-children,&#13;
when a pigeon’s iridescent neck would mesmerize,&#13;
a squirrel would be welcome in the attic,&#13;
and a robin a sign of something.&#13;
I’m so tired of being American,&#13;
of this ‘we’ that keeps implicating me&#13;
in all kinds of atrocities,&#13;
in my insufficient resistance,&#13;
in the insignificance of my concern.</text>
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          <name>Date</name>
          <description>When was this created?</description>
          <elementTextContainer>
            <elementText elementTextId="20846">
              <text>?</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="4">
          <name>Location</name>
          <description>Where was this item created?</description>
          <elementTextContainer>
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              <text>The landscape of production is the old mills of west end of Providence, and the landscape of consumption image is a cutesy shopping center in South County.</text>
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            <name>Title</name>
            <description>What would you title this item?</description>
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                <text>poem: Diptych: Landscape of Consumption, Landscape of Production</text>
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            <name>Creator</name>
            <description>Who created this item?</description>
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              <elementText elementTextId="20845">
                <text>Karina Lutz</text>
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                <text>English</text>
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                <text>'Landscape of consumption' and 'landscape of production' are sociological terms I learned from editing _Local Democracy under Siege: Activism, Public Interests, and Private Politics_ (New York University Press, 2007). A result of urban planning and zoning laws, landscapes of production (like factory districts) are developed distinct from landscapes of consumption (like strip malls). The starkness of the distinction can be easily ignored in a car, or when shopping online, but is unavoidable when bicycling across a city. The two types of landscapes reify  a bifurcation of the economic self.&#13;
&#13;
Published by Notable Works in 2020 in Voices of the Earth: The Future of Our Planet II</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>In the photo, he is thick-necked and as sturdy&#13;
as a five-hundred-year-old Spanish oak bureau&#13;
in Michoacán, as heavy and unmoveable;&#13;
&#13;
Monarch butterflies rest all over his shirt&#13;
and khakis. If you close your eyes,&#13;
you can see them slowly close wings,&#13;
barely moving air. You can see the darkness&#13;
at the bottom of the well where they found him.&#13;
&#13;
In the photo, in spite of butterflies, he has no smile.&#13;
Fully frontal, he confronts the camera&#13;
as the industrial gaze: a choice to communicate&#13;
with an unknown afar:&#13;
and here I am en el norte, &#13;
where in the shortening days of August&#13;
the monarchs may chew thick leaves of milkweed&#13;
and rest in butterfly weed, &#13;
orange upon orange.&#13;
&#13;
Once, while a new farmer, I killed a caterpillar&#13;
thinking it was a tomato hornworm. &#13;
Green and yellow and black—&#13;
I should have known better.&#13;
I tried to feed it to the chickens, &#13;
said to love hornworms,&#13;
but they just looked at me strangely,&#13;
that way they do.&#13;
&#13;
I am at the bottom of the well &#13;
where they found him dead. &#13;
&#13;
One day the only orange to see may be the flowers&#13;
I planted to feed the butterflies&#13;
who no longer return, &#13;
a banquet set to empty chairs.&#13;
The one I killed might have been &#13;
the mother of thousands.&#13;
&#13;
This is how I pretend to power:&#13;
guilt is easier than helplessness.&#13;
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          <name>Date</name>
          <description>When was this created?</description>
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              <text>Feb. 2020</text>
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          <description>Where was this item created?</description>
          <elementTextContainer>
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              <text>Listening Tree farm in Chepachet, RI</text>
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              <elementText elementTextId="9731">
                <text>Alan Roseman </text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>When was this item created?</description>
            <elementTextContainer>
              <elementText elementTextId="9732">
                <text>11/14/2020</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="9733">
                <text>Providence, RI </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>Are you submitting this on behalf of someone else?</description>
            <elementTextContainer>
              <elementText elementTextId="9734">
                <text>Kate Wells </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
