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                  <text>Notable Works Publication and Distribution Co., Inc.</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>Awakening II&#13;
&#13;
With ease gentle bliss &#13;
Willow's arms bear the mist &#13;
Wakened peacefully &#13;
With day's first hello&#13;
Wake up bleak valley, bask in glory &#13;
Wake up dark meadow &#13;
Breath in brand new day &#13;
Making its way &#13;
Bursting through with pastel sky. &#13;
Flowers sway &#13;
Gently in the meadow &#13;
Raise their heads &#13;
To sip sunshine perched on limb &#13;
A robin sings with glee &#13;
Glad to be flying free &#13;
Cloaked in light and gentle breeze &#13;
Vibrant day's ecstasy &#13;
Creatures feast &#13;
On the lustrous fruits of the meadow&#13;
Lively springs mirroring &#13;
Phosphorescent glow &#13;
‘Til at last waving goodbye &#13;
Light of day fades away &#13;
Twilight sky sneaks in from the west &#13;
Day's sun finally rests&#13;
Willow's arms droop in silence &#13;
Songbird longs for&#13;
Another joyful jubilant tune&#13;
Deer stands stoically&#13;
Hoping to soon see the moon &#13;
Distant stars still too far to see &#13;
Make their way so leisurely &#13;
Crimson sky though try with all its might &#13;
Darkness wins the fight &#13;
Yet in air still lingering &#13;
Perfumed scents and&#13;
Everlasting brilliance &#13;
&#13;
By Noreen Inglesi&#13;
</text>
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          <name>Date</name>
          <description>When was this created?</description>
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              <text>2020</text>
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          <name>Location</name>
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              <text>Rhode Island</text>
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            <name>Title</name>
            <description>What would you title this item?</description>
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                <text>Awakening II</text>
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            <description>Who created this item?</description>
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                <text>Noreen Inglesi</text>
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                <text>English</text>
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                <text>This poem was published in 2020 by Notable Works Publication and Distribution Co., Inc. (www.notableworks.org)&#13;
in Voices of the Earth: The Future of Our Planet II.</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>Diptych&#13;
I. Landscape of consumption&#13;
&#13;
I’m so tired of the faux facades&#13;
of the “landscapes of consumption,”&#13;
like this mall built to look like &#13;
the village it supplanted&#13;
(lights in second story windows &#13;
with no rooms behind them&#13;
illuminate only drapery and the parking lot);&#13;
&#13;
I’m so tired of being American,&#13;
of this ‘we’ that keeps implicating me&#13;
in all kinds of atrocities,&#13;
in my insufficient resistance,&#13;
in the insignificance of my concern;&#13;
&#13;
so tired of the facades splayed &#13;
with brand names in elegant fonts&#13;
of automated recognizance, &#13;
of the logos and logoi and designs and reasons of consumption,&#13;
the artistry of my people spent&#13;
on storefronts and billboards, ads&#13;
and special effects.   I   want   to be   unaffected:&#13;
&#13;
to resist, resist, resist the purchase.&#13;
&#13;
But the best of my people’s psychology, too,&#13;
is employed to transgress my resistance,&#13;
to subvert our sufficiency.&#13;
 &#13;
We  have  had  enough.&#13;
&#13;
&#13;
II. Landscape of production&#13;
&#13;
As antidote to the trip to the mall&#13;
to watch the movie to know what &#13;
we have done with our history this time,&#13;
I bike the landscape of production, &#13;
weave the potholes of the parts of town&#13;
no one goes to except to work, if necessary,&#13;
and it’s always necessary &#13;
for some.&#13;
&#13;
Then, as antidote to the engineered and treeless&#13;
‘neighborhoods’ (you might call them&#13;
if the homes were close enough to see&#13;
each other around the sewer treatment plant&#13;
and oil tanks and adult establishments.&#13;
Sure, I am adult too, and that is one of the few spaces&#13;
off this street I am free to enter,&#13;
but I can only imagine &#13;
the discomfort of being ogled with questions&#13;
by those poor shame-debilitated men &#13;
having so much trouble getting to maturity),&#13;
	   I leave my bike at the bridge,&#13;
and walk upstream past the old mill to the unfilled&#13;
wetlands, still unbuildable, so far.&#13;
&#13;
I find trees and breezes and the small wildlife &#13;
we once took for granted, I think, though I don’t know&#13;
who ‘we’ is here, either, certainly not us-as-children,&#13;
when a pigeon’s iridescent neck would mesmerize,&#13;
a squirrel would be welcome in the attic,&#13;
and a robin a sign of something.&#13;
I’m so tired of being American,&#13;
of this ‘we’ that keeps implicating me&#13;
in all kinds of atrocities,&#13;
in my insufficient resistance,&#13;
in the insignificance of my concern.</text>
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          <name>Date</name>
          <description>When was this created?</description>
          <elementTextContainer>
            <elementText elementTextId="20846">
              <text>?</text>
            </elementText>
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          <name>Location</name>
          <description>Where was this item created?</description>
          <elementTextContainer>
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              <text>The landscape of production is the old mills of west end of Providence, and the landscape of consumption image is a cutesy shopping center in South County.</text>
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            <name>Title</name>
            <description>What would you title this item?</description>
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                <text>poem: Diptych: Landscape of Consumption, Landscape of Production</text>
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            <name>Creator</name>
            <description>Who created this item?</description>
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                <text>Karina Lutz</text>
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                <text>English</text>
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            <name>Description</name>
            <description>What is it all about?</description>
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                <text>'Landscape of consumption' and 'landscape of production' are sociological terms I learned from editing _Local Democracy under Siege: Activism, Public Interests, and Private Politics_ (New York University Press, 2007). A result of urban planning and zoning laws, landscapes of production (like factory districts) are developed distinct from landscapes of consumption (like strip malls). The starkness of the distinction can be easily ignored in a car, or when shopping online, but is unavoidable when bicycling across a city. The two types of landscapes reify  a bifurcation of the economic self.&#13;
&#13;
Published by Notable Works in 2020 in Voices of the Earth: The Future of Our Planet II</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>In the photo, he is thick-necked and as sturdy&#13;
as a five-hundred-year-old Spanish oak bureau&#13;
in Michoacán, as heavy and unmoveable;&#13;
&#13;
Monarch butterflies rest all over his shirt&#13;
and khakis. If you close your eyes,&#13;
you can see them slowly close wings,&#13;
barely moving air. You can see the darkness&#13;
at the bottom of the well where they found him.&#13;
&#13;
In the photo, in spite of butterflies, he has no smile.&#13;
Fully frontal, he confronts the camera&#13;
as the industrial gaze: a choice to communicate&#13;
with an unknown afar:&#13;
and here I am en el norte, &#13;
where in the shortening days of August&#13;
the monarchs may chew thick leaves of milkweed&#13;
and rest in butterfly weed, &#13;
orange upon orange.&#13;
&#13;
Once, while a new farmer, I killed a caterpillar&#13;
thinking it was a tomato hornworm. &#13;
Green and yellow and black—&#13;
I should have known better.&#13;
I tried to feed it to the chickens, &#13;
said to love hornworms,&#13;
but they just looked at me strangely,&#13;
that way they do.&#13;
&#13;
I am at the bottom of the well &#13;
where they found him dead. &#13;
&#13;
One day the only orange to see may be the flowers&#13;
I planted to feed the butterflies&#13;
who no longer return, &#13;
a banquet set to empty chairs.&#13;
The one I killed might have been &#13;
the mother of thousands.&#13;
&#13;
This is how I pretend to power:&#13;
guilt is easier than helplessness.&#13;
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          <name>Date</name>
          <description>When was this created?</description>
          <elementTextContainer>
            <elementText elementTextId="20839">
              <text>Feb. 2020</text>
            </elementText>
          </elementTextContainer>
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          <name>Location</name>
          <description>Where was this item created?</description>
          <elementTextContainer>
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              <text>Listening Tree farm in Chepachet, RI</text>
            </elementText>
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            <name>Title</name>
            <description>What would you title this item?</description>
            <elementTextContainer>
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                <text>poem: The Monarch Effect</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>Who created this item?</description>
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              <elementText elementTextId="20838">
                <text>Karina Lutz</text>
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            <name>Description</name>
            <description>What is it all about?</description>
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                <text>Mexican Environmental Activist Homero Gómez González was murdered in early 2020. This poem responds to that news and the photo of him in the newspaper articles about it, which can be seen here:&#13;
https://nypost.com/2020/01/30/homero-gomez-gonzalez-prominent-butterfly-activist-in-mexico-found-dead-in-a-well/. &#13;
&#13;
The tension within those of us in the global north who'd rather not be implicated in what our countries do in the global south was perhaps never better captured than by Carolyn Forché', who wrote from Central America: “while birds and warmer weather&#13;
are forever moving north,&#13;
the cries of those who vanish&#13;
might take years to get here.” &#13;
&#13;
This poem was published by Notable Works in 2020 in Voices of the Earth: The Future of Our Planet II</text>
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              <description>What would you title this item?</description>
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                  <text>Notable Works Publication and Distribution Co., Inc.</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>By the sea, I built a wall&#13;
Because I heard the sea was rising&#13;
The mighty ocean rose above it&#13;
She is powerful and strong&#13;
She brings storms that flood my roads&#13;
They intensify with each passing day&#13;
She brings higher temperatures that heat my skin&#13;
And confusion to her ecosystems&#13;
She sends salt through the roots of my plants&#13;
Drying out the last bits of life&#13;
For in this changing climate,&#13;
The ocean sees dead zones&#13;
The waters are rising&#13;
And the tides are changing&#13;
We must learn&#13;
We must adapt&#13;
We must all come together for a more resilient tomorrow&#13;
For my wall stood no chance</text>
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          <name>Date</name>
          <description>When was this created?</description>
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              <text>March 2020</text>
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          <description>Where was this item created?</description>
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&#13;
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                  <text>Public Contributions</text>
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                  <text>Crowdsourced stories, images and recordings that reflect the individual experiences of Rhode Islanders during the COVID-19 pandemic of 2020. </text>
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              <text>Spring 2021</text>
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                <text>LSA Alumni Article on Mask Task Force</text>
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                <text>This is one page from the Spring 2021 LSA Alumni newsletter. It contains an article regarding the Mask Task Force, an initiative of three LSA students which resulted in the donation of 4k face masks to local nonprofits as well as the creation of an informational poster.</text>
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