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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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                <text>Notable Works' Presentation "RI Endangered Species: The Piping Plover"</text>
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                <text> Published by Notable Works Publication and Distribution Co., Inc. Poetry and Music by Noreen Inglesi       Artist in Residence of Notable Works Publication &amp; Distribution Co.,  Inc.      Photos by Jeanne Cooper, Preserve and Shorebird Program Manager of the Nature Conservancy of Rhode Island, and Geoff Dennis, volunteer with the Nature Conservancy   Presentation by Noreen Inglesi, Artist in Residence and Bina Gehres, Director       Notable Works Publication &amp; Distribution Co.,  Inc.            Musical Performance by Dr. Audrey Kaiser, piano and Roberta Ricci, cello      This poem is part of a collection of poetry highlighting  Rhode Island’s natural beauty published by Notable Works in Voices of the Earth: The Future of Our Planet  www.notableworks.org</text>
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                <text>This Notable Works' Presentation focuses on Rhode Endangered species, especially the piping plover, and the efforts of The Nature Conservancy in Rhode Island to preserve and protect Rhode Island's natural habitats.</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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                <text> This presentation was created by Notable Works Publication and Distribution Co., Inc. and The Audubon Society of Rhode Island in January 2021. Words and music by Noreen Inglesi.  Production by Noreen Inglesi and Bina Gehres. Photos shared by Audubon Society of Rhode Island: Kim Calcagno, Hope Foley, Sharon Riley, Scott Ruhren, Paige Therrien and Getty Images via Canva.  Music Performance: The Notable Works' Ensemble: Tina Bernard, vocals; Maria Bilyeu, cello; Dalita Getzoyan, flute; Noreen Inglesi, vocals and Alison Shea, piano.  </text>
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                <text>Notable Notes- October 2020 issue</text>
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                <text>Edited and written by Noreen Inglesi and Bina Gehres. Published by Notable Works Publication and Distribution Co., Inc.</text>
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                <text>This newsletter highlighted the efforts of Amos continued to do so much to help individuals and families "in crisis" in the local community, throughout the Covid 19 pandemic. This publication also includes a link to Notable Works' special presentation about this valuable social service agency.</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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                <text>Love Warms the Homeless Heart II</text>
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                <text>Love Warms the Homeless Heart II, edited by Noreen Inglesi and designed and illustrated by Mary Ann Rossoni of Second Story Graphics, is a poetry and resource guide addressing the issues of homelessness and domestic violence. The original poetry included in this book, which is published by Notable Works Publication and Distribution Co., Inc., focuses on the resilience of the human spirit in meeting and overcoming life's many challenges including the current COVID-19 pandemic. The resource section of this publication, which includes an introduction by Angelina Denomme, Communication &amp; Engagement Coordinator of the Rhode Island Coalition for the Homeless, includes current listings as of March 2021, of shelters and services in Rhode Island, alphabetically organized by cities and towns. (37 poems, 75 total pages). </text>
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                <text>Edited by Noreen Inglesi, &#13;
Designed and illustrated by Mary Ann Rossoni</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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                <text>Voices of the Earth: The Future of Our Planet II</text>
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                <text>Original poetry addressing the climate crisis. &#13;
&#13;
Introduction excerpt: &#13;
In this time of Covid-19, there is an inevitable weaving together in our psyche, and hence our poetry, of the fears, frustrations and sense of urgency involved in the pandemic and the crisis of our changing climate. In both cases, humans have a collective responsibility to change, to adapt, to help, and to build a more resilient society. In Voices of the Earth: The Future of Our Planet II, the poets urge us to wake up, to pay attention and to hear what the earth is telling us.&#13;
&#13;
-Lauren Parmelee, Senior Director of Education, Audubon Society of Rhode Island</text>
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                <text>Editor in Chief: Noreen Inglesi, Artist in Residence, Notable Works; Designer and Illustrator: Mary Ann Rossoni, Second Story Graphics</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>In the photo, he is thick-necked and as sturdy&#13;
as a five-hundred-year-old Spanish oak bureau&#13;
in Michoacán, as heavy and unmoveable;&#13;
&#13;
Monarch butterflies rest all over his shirt&#13;
and khakis. If you close your eyes,&#13;
you can see them slowly close wings,&#13;
barely moving air. You can see the darkness&#13;
at the bottom of the well where they found him.&#13;
&#13;
In the photo, in spite of butterflies, he has no smile.&#13;
Fully frontal, he confronts the camera&#13;
as the industrial gaze: a choice to communicate&#13;
with an unknown afar:&#13;
and here I am en el norte, &#13;
where in the shortening days of August&#13;
the monarchs may chew thick leaves of milkweed&#13;
and rest in butterfly weed, &#13;
orange upon orange.&#13;
&#13;
Once, while a new farmer, I killed a caterpillar&#13;
thinking it was a tomato hornworm. &#13;
Green and yellow and black—&#13;
I should have known better.&#13;
I tried to feed it to the chickens, &#13;
said to love hornworms,&#13;
but they just looked at me strangely,&#13;
that way they do.&#13;
&#13;
I am at the bottom of the well &#13;
where they found him dead. &#13;
&#13;
One day the only orange to see may be the flowers&#13;
I planted to feed the butterflies&#13;
who no longer return, &#13;
a banquet set to empty chairs.&#13;
The one I killed might have been &#13;
the mother of thousands.&#13;
&#13;
This is how I pretend to power:&#13;
guilt is easier than helplessness.&#13;
</text>
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          <name>Date</name>
          <description>When was this created?</description>
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              <text>Feb. 2020</text>
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          <description>Where was this item created?</description>
          <elementTextContainer>
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              <text>Listening Tree farm in Chepachet, RI</text>
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                <text>poem: The Monarch Effect</text>
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            <name>Creator</name>
            <description>Who created this item?</description>
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              <elementText elementTextId="20838">
                <text>Karina Lutz</text>
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                <text>Mexican Environmental Activist Homero Gómez González was murdered in early 2020. This poem responds to that news and the photo of him in the newspaper articles about it, which can be seen here:&#13;
https://nypost.com/2020/01/30/homero-gomez-gonzalez-prominent-butterfly-activist-in-mexico-found-dead-in-a-well/. &#13;
&#13;
The tension within those of us in the global north who'd rather not be implicated in what our countries do in the global south was perhaps never better captured than by Carolyn Forché', who wrote from Central America: “while birds and warmer weather&#13;
are forever moving north,&#13;
the cries of those who vanish&#13;
might take years to get here.” &#13;
&#13;
This poem was published by Notable Works in 2020 in Voices of the Earth: The Future of Our Planet II</text>
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                  <text>“Adapting, Creating, Communicating and Awakening”&lt;br /&gt;&lt;br /&gt;Notable Works Publication and Distribution Co., Inc. (&lt;a href="http://%20www.notableworks.org"&gt;www.notableworks.org&lt;/a&gt;) is a non-profit arts organization dedicated to raising awareness for environmental and social concerns through the arts, while providing a venue to local artists, composers, poets and musicians. During the Covid 19 pandemic, like other performance-based arts organizations, Notable Works’ team had to find new ways to continue our mission and to be able to interact with the community. &lt;br /&gt;&lt;br /&gt;This collection is a sample of some of Notable Works’ projects, publications and presentations, which were created from March 2020 to August 2021. Thank you to all the artists, poets, composers and musicians, who shared their great talent, and to the dedicated agencies in our state, who took the time to collaborate with our team on special projects. Special thanks to the Rhode Island Historical Society and the Providence Public Library for this Covid 19 Archive Project, which has giving us the opportunity to share these works with the Rhode Island Community.</text>
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              <text>Diptych&#13;
I. Landscape of consumption&#13;
&#13;
I’m so tired of the faux facades&#13;
of the “landscapes of consumption,”&#13;
like this mall built to look like &#13;
the village it supplanted&#13;
(lights in second story windows &#13;
with no rooms behind them&#13;
illuminate only drapery and the parking lot);&#13;
&#13;
I’m so tired of being American,&#13;
of this ‘we’ that keeps implicating me&#13;
in all kinds of atrocities,&#13;
in my insufficient resistance,&#13;
in the insignificance of my concern;&#13;
&#13;
so tired of the facades splayed &#13;
with brand names in elegant fonts&#13;
of automated recognizance, &#13;
of the logos and logoi and designs and reasons of consumption,&#13;
the artistry of my people spent&#13;
on storefronts and billboards, ads&#13;
and special effects.   I   want   to be   unaffected:&#13;
&#13;
to resist, resist, resist the purchase.&#13;
&#13;
But the best of my people’s psychology, too,&#13;
is employed to transgress my resistance,&#13;
to subvert our sufficiency.&#13;
 &#13;
We  have  had  enough.&#13;
&#13;
&#13;
II. Landscape of production&#13;
&#13;
As antidote to the trip to the mall&#13;
to watch the movie to know what &#13;
we have done with our history this time,&#13;
I bike the landscape of production, &#13;
weave the potholes of the parts of town&#13;
no one goes to except to work, if necessary,&#13;
and it’s always necessary &#13;
for some.&#13;
&#13;
Then, as antidote to the engineered and treeless&#13;
‘neighborhoods’ (you might call them&#13;
if the homes were close enough to see&#13;
each other around the sewer treatment plant&#13;
and oil tanks and adult establishments.&#13;
Sure, I am adult too, and that is one of the few spaces&#13;
off this street I am free to enter,&#13;
but I can only imagine &#13;
the discomfort of being ogled with questions&#13;
by those poor shame-debilitated men &#13;
having so much trouble getting to maturity),&#13;
	   I leave my bike at the bridge,&#13;
and walk upstream past the old mill to the unfilled&#13;
wetlands, still unbuildable, so far.&#13;
&#13;
I find trees and breezes and the small wildlife &#13;
we once took for granted, I think, though I don’t know&#13;
who ‘we’ is here, either, certainly not us-as-children,&#13;
when a pigeon’s iridescent neck would mesmerize,&#13;
a squirrel would be welcome in the attic,&#13;
and a robin a sign of something.&#13;
I’m so tired of being American,&#13;
of this ‘we’ that keeps implicating me&#13;
in all kinds of atrocities,&#13;
in my insufficient resistance,&#13;
in the insignificance of my concern.</text>
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          <name>Date</name>
          <description>When was this created?</description>
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            <elementText elementTextId="20846">
              <text>?</text>
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        <element elementId="4">
          <name>Location</name>
          <description>Where was this item created?</description>
          <elementTextContainer>
            <elementText elementTextId="20849">
              <text>The landscape of production is the old mills of west end of Providence, and the landscape of consumption image is a cutesy shopping center in South County.</text>
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            <name>Title</name>
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                <text>poem: Diptych: Landscape of Consumption, Landscape of Production</text>
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                <text>Karina Lutz</text>
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                <text>English</text>
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          <element elementId="41">
            <name>Description</name>
            <description>What is it all about?</description>
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              <elementText elementTextId="20848">
                <text>'Landscape of consumption' and 'landscape of production' are sociological terms I learned from editing _Local Democracy under Siege: Activism, Public Interests, and Private Politics_ (New York University Press, 2007). A result of urban planning and zoning laws, landscapes of production (like factory districts) are developed distinct from landscapes of consumption (like strip malls). The starkness of the distinction can be easily ignored in a car, or when shopping online, but is unavoidable when bicycling across a city. The two types of landscapes reify  a bifurcation of the economic self.&#13;
&#13;
Published by Notable Works in 2020 in Voices of the Earth: The Future of Our Planet II</text>
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